Showing posts with label Joe Beck. Show all posts
Showing posts with label Joe Beck. Show all posts

Friday, August 28, 2020

Watch the time (Joe Beck) (LP 449)

 

Joe Beck Watch the Time (Vinyl, Polydor, 1977) ** 


Genre: Jazz fusion 

Places I remember: Music bins in a local second hand shop

Fab, and all the other pimply hyperboles: Dr Lee

Gear costume:  Not a lot of gear costume here sadly  

Active compensatory factors: Sometimes a punt works out: I enjoyed his Beck album which appeared on Goo Goo a while back. And sometimes it doesn't.

As a consequence of Beck being a nice surprise and Michael Brecker being listed on sax, and this being from the seventies, I thought - take a punt!

Sadly the vocals by Tom Flynn aren't up to much, the lyrics to the songs Tom sings aren't up to much, and the pre eighties commercial jazz funk sheen isn't to my taste.

The progtastic guitar Joe Beck employed on Beck is nowhere to be found here, so, sadly, it's one of those times when a punt doesn't work out.

Where do they all belong? Record collectors are weird beasts. I bet there's someone out there hunting for a good quality NZ pressing of this album to complete their Joe Beck collection. Give me a bell - there's a deal to be done!

Wednesday, May 20, 2020

Star fire (Joe Beck) (LP 416)

Joe Beck Beck (Vinyl, Kudu Records, 1975) ***

Genre: Jazz fusion 

Places I remember: Second hand store between Palmerston North and Whanganui - can't remember its name, sorry.


Fab, and all the other pimply hyperboles: Texas Ann





Gear costume:  Brothers and Others  

Active compensatory factors: 
Allmusic reviewer Thom Jurek reckons, 'Beck is essential listening for anyone interested in mid-'70s commercial jazz. The chops are there, but far more than that, Beck leads a band into a soul-deep blowing session with killer charts, nasty tunes, and killer vibes'.

So there!

Over the years, I've noticed this one in album racks and wondered about it. To be honest the weird cover image by Abdul Mati Klarwein has kind of put me off a bit in the past but I took a punt on it recently because it's a mid seventies fusion album with David Sanborn on sax and Steve Khan on guitar along with Beck.

All are fine players and the music rates high on the listenability-metre as a result. 


Where do they all belong? As Jurek says, it fits in the mid seventies commercial fusion genre nicely.