Showing posts with label Linda Ronstadt. Show all posts
Showing posts with label Linda Ronstadt. Show all posts

Friday, August 29, 2025

Willin' (Little Feat/ Linda Ronstadt) (LP 3653 - 3659)

Linda Ronstadt  Heart Like a Wheel (Vinyl, Capitol Records, 1974) *****  

Linda Ronstadt  Prisoner in Disguise (CD, Asylum Records, 1975) ****  

Linda Ronstadt  Hasten Down the Wind (CD, Asylum Records, 1976) ***

Linda Ronstadt  Simple Dreams (CD, Asylum Records, 1977) *****   

Linda Ronstadt  Living in the USA (CD, Asylum Records, 1978) *** 

Linda Ronstadt  Mad Love (CD, Asylum Records, 1980) ****  

Linda Ronstadt (featuring Aaron Neville)  Cry Like a Rainstorm, Howl Like the Wind (CD, Asylum Records, 1989) ***  

Genre: Pop 

Places I remember: Just for the Record, HMV, Shona's collection (Cry like...)

Fab, and all the other pimply hyperboles: Living in the USA

Gear costume: Tumbling Dice (Simple Dreams), How Do I Make You (Mad Love) 

They loom large in his legend (The Album Collection playlists): Part 1; Part 2; Part 3; Part 4; Part 5; Part 6

Active compensatory factors: Linda Ronstadt needs no introduction! Heart Like a Wheel was her fifth solo studio album, and it's only 1974.

It contains a mix of covers - some oldies and some contemporary to 1974. She doesn't put a foot wrong, and her band of LA's finest do her justice - it's a long list of musicians. It all adds up to Californian soft rock heaven. And, man, can she sing!

Prisoner in Disguise
followed the Heart Like a Wheel template closely and, once again, delivered the good times. Outside of Little Feat, does anyone do Little Feat songs any better than Linda? First Willin' and now Roll Um Easy. Perfection!

And so, onto Hasten Down the Wind. It was her third straight million-selling album. The same crew of LA's brilliant musicians were involved, but nobody outshines Linda's pipes. It should be said that it does have some hints of getting a little too slick at times. Still. She was on a definite roll.

Some songs are much better than others - That'll Be The Day is a great cover but there are a few songs by Karla Bonoff that are of a lesser standard.

Simple Dreams had her back in the right groove. It's about those cover choices with Linda and with Tumbling Dice, Blue Bayou, It's So Easy, Poor Poor Pitiful Me, and Carmelita - she had some inspired choices. It was huge commercially and critically. She was back to her best (i.e. Heart Like a Wheel).

The slickness is replaced with some grittier rock'n'roll sounds for some songs on Simple Dreams (Poor Poor Pitiful Me, Carmelita, It's So Easy, Tumbling Dice) - hence the five-star rating.

That approach continues to a large extent on Living in the USA, her ninth studio album, and although it was another big seller (her third and final #1), it's a more uneven album than Simple Dreams. It's the choice of covers again, and the rock'n'roll quota that dictates the success factor. Only the title track really rocks out on the album.

Mad Love
was the first album of the eighties. It's a pretty successful attempt to update her sound for the times (three songs by Elvis Costello!) and has a great rocky sound. How Do I Make You is a favourite around these parts!

Cry Like a Rainstorm, Howl Like the Wind is a collaboration with Aaron Neville. It's a diverse selection of mainstream pop styles, as per normal, except Aaron lends his unique voice to the mix on a few tracks.

Where do they all belong? The Different Drum compilation has her earlier stuff that is also lovely to listen to on a sunny day!

Wednesday, May 31, 2023

Peaceful easy feeling (The Eagles) (LP 1072)

The Eagles  Don Kirshner's Rock Concert '74 with Guests (CD,  RoxVox, 2016) *** 

Genre: Country rock 

Places I remember: The Warehouse

Fab, and all the other pimply hyperboles: Take It Easy

Gear costume: James Dean

Active compensatory factors: Not quite a bootleg, more a 'legendary radio recording' according to the cover, this is the audio version of what would have been broadcast on TV. So the recording suffers in the process. To be fair, you know that going in with these kinds of things.

As such it's okay but not a vital document for The Eagles. Instead Linda and Jackson steal the show in some regards. Looking Into You is terrific (no clip of this available unfortunately).

Having said that, this is my favourite period of the band - before they went mega. The more authentic country rock thanks to the presence of Bernie Leadon appeals to me more than the soft adult rock and Joe Walsh years.

The hits are rendered professionally - Peaceful Easy Feeling, Take It Easy, and Desperado (with Linda taking centre stage) but the songs from One The Border - Ol '55, Already Gone, James Dean are my favourites from the concert.

Where do they all belong? Back to the vinyl for the next round of albums.

Wednesday, November 26, 2014

You're so young but your feelings are deep (Linda Ronstadt) #330 - 333

Linda Ronstadt When Will I Be Loved/ It Doesn't Matter Any More (Asylum Records, F 4050, 1974)

Linda Ronstadt Back In The U.S.A./ White Rhythm and Blues (Asylum Records, E 45 519, 1978)

Linda Ronstadt How Do I Make You/ Rambler Gambler (Asylum Records, E 46 602, 1980)

Guilty pleasure alert: I have a thing for Linda Ronstadt. I take comfort in the fact that I'm not the only one.

Somehow she sits alone atop the female vocalist section of the rock pantheon.

An interpreter, not a composer, Linda could sing stuff by The Everly Brothers, Buddy Holly, Chuck Berry, and J.D. Souther (as she does over these three singles) and make them Linda Ronstadt songs.

She took on a variety of musical genres in her career and never sounded out of place. As one critic noted, Ronstadt is "Blessed with arguably the most sterling set of pipes of her generation ... rarest of rarities – a chameleon who can blend into any background yet remain boldly distinctive ... It's an exceptional gift; one shared by few others".

She's a Parkinson's disease sufferer now and having retired from singing she leaves a giant empty but classy space in the musical world. 

Forget guilty pleasure - everybody loves Linda. And these songs endure.

Hidden gems: I love her delivery on White Rhythm and Blues, the J.D. Souther song. There's a lovely purity and innocence to her voice.