Wednesday, July 15, 2026

Hush (Tool) (LP 4690 - 4694)

Tool  Opiate (CD, Zoo Entertainment, 1992) ***  

Tool  Undertow (CD, Zoo Entertainment, 1993) ****  

Tool  Ænima (CD, Zoo Entertainment, 1996) ***  

Tool  Lateralus (CD, Volcano Records, 2001) ****  

Tool  10,000 Days (CD, Volcano Records, 2006) ****  

Genre: Prog metal, heavy metal

Places I remember: JB Hi Fi, HMV, Fives

Fab, and all the other pimply hyperboles: Schism (Lateralus)

Gear costume: Sober (Undertow), The Pot (10,000 Days)

They loom large in his legend
(The Album Collection playlists): Part 1; Part 2; Part 3; Part 4; Part 5; Part 6; Part 7; Part 8

Active compensatory factors: Tool began with the Opiate EP in 1992 before their first full album, Undertow. At this point Tool were 
Maynard James Keenan – vocals, Adam Jones – guitar, Paul D'Amour – bass (he would leave after Undertow), and Danny Carey – drums. Keenan's vocals are a strength and they immediately identify the band.

I've included it on this post because as AllMusic points out, '
it's possible to hear the seeds of Tool's oppressively bleak, cerebral metal' over the course of the 6 tracks (plus one hidden after Opiate).

Incidentally, I fail to see the point of the 'hidden track' concept generally. To my mind, if it's good enough then it should be included as a proper track, not hidden a few minutes after the last song ends. Thankfully, the practice seems to have died away with the resurrection of the vinyl industry. Good job!

Although it wasn't grunge, Undertow was a standout album in the grunge era (early nineties) with its sludgy heavy bass/drum sound. Keenan's assured vocals are a continued highlight and the whole band perform as a solid unit. 

Critic, David Browne summed up their other strengths:  Tool can crunch and lumber about with the best of them. What put this L.A. band a notch above the rest are better songs (with actual verses, choruses, and hooks-check out the terrific "Prison Sex") and the hints of vulnerability in singer Maynard James Keenan's voice'.

Ænima
 was an extension of Undertow, with a more experimental mindset. There are more exotic sounds and more alt metal sounds than on the debut - which, overall, I prefer to 
Ænima, although I do like that they are moving into a more progressive stance on Ænima. Ultimately, I find it an inconsistent album with some of the ambient metal noises a bit annoying.

Their third album was Lateralus, which came five years after Ænima  because of a legal dispute. It's more focused than album number two, with the band perfecting their signature throbbing, pulsing, bludgeoning metal sound. However, it's 10,000 Days that I like more.

For me, the more ambient tracks work better than on previous albums and it has a more melodic metal approach while still being recognisable Tool. The epic songs work too, each song has a prog metal approach that works.

Where do they all belong? They have produced a further album but I'll stick to these ones.

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